David Axelrod musician

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Rest in Melody," Quest said.David Axelrod, a composer, arranger and producer who had a profound impact on modern music -- especially hip-hop -- has reportedly passed away at the age of 83. After starting out as a staff producer for record companies specializing in jazz, Axelrod became known by the mid-1960s in soul and jazz circles for his recording skills. He spent several years working for Capitol Records in production and A&R in the 1960s and went on to release more than a dozen of his own albums. The Biz premium subscriber content has moved to Billboard.com/business.To simplify subscriber access, we have temporarily disabled the password requirement.At press time, details of Axelrod's death have not yet been confirmed.Billboard is a subsidiary of Prometheus Global Media, LLC."[His] appreciation for music and his ability to recognize musicianship is what I'll take from him. Rest in Melody," Quest said.David Axelrod, a composer, arranger and producer who had a profound impact on modern music -- especially hip-hop -- has reportedly passed away at the age of 83. A Grammy Award-winning maker for Capitol Information who helmed a large number of great jazz, funk, and spirit records through the 1960s and ’70s (by everyone from Stan Kenton to Lou Rawls towards the Electric powered Prunes to Cannonball Adderley), David Axelrod also forged a unique musical design while recording some of the most eccentric albums from the ’70s. All Rights Reserved.Born in Los Angeles in 1933, Axelrod produced his first album in 1959 and went on to become a pioneer in combining jazz, rock and R&B in recorded music. Genres: Baroque Pop, Jazz-Funk, Psychedelic Rock. With the middle-’60s, Axelrod got grown well-known in spirit and jazz circles for his exceptional recording abilities, including two of the best possible performance albums from the period, Lou Rawls’ Live! David Axelrod. David Axelrod (born April 17, 1933) is an American composer, arranger, and producer. Born in LA in 1936, Axelrod learned all about arrangement and creation largely by himself.

After Tracks of Knowledge, Axelrod changed his focus on the developing plight of the surroundings with 1970’s Globe Rot. In 1999, after many big dance and hip-hop suppliers (including Prince Paul and De La Spirit, the Beatnuts, and DJ Darkness) produced Axelrod a regular sample resource, Stateside released the retrospective 1968 to 1970: An Axelrod Anthology.

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